“Scroll down to the end of the article to listen to music.”
Introduction

There are certain songs that, upon first listen, leave an indelible mark on the heart. “Kiss an Angel Good Mornin'” by Charley Pride is one such piece, radiating warmth and optimism every time its melody plays.

About The Composition

  • Title: Kiss an Angel Good Mornin’
  • Composer: Ben Peters
  • Premiere Date: October 1971
  • Album: Charley Pride Sings Heart Songs
  • Genre: Country

Background

“Kiss an Angel Good Mornin'” was written by Ben Peters and performed by Charley Pride, one of the few African-American artists to achieve significant success in country music. Released in October 1971, the song quickly soared to the number one spot on the Billboard country charts. This period marked a transformation in country music, and Charley Pride played a pivotal role in bringing the genre to a more diverse audience. The song became his signature hit and is often credited with solidifying his place in country music history.

Musical Style

The song embodies traditional country music elements with its gentle, easy-listening melody and heartfelt lyrics. The arrangement features straightforward instrumentation, including acoustic guitar and subtle backing vocals, allowing Pride’s warm and soothing voice to take center stage. The simplicity of the composition enhances its sincerity, making it resonate deeply with listeners without relying on complex musical techniques.

Lyrics Analysis

“Kiss an Angel Good Mornin'” tells the story of a man who shares the simple secret to his happiness and positive outlook: starting each day with a kiss from the one he loves. The theme revolves around love and domestic bliss, conveying a message that true contentment comes from appreciating the small, everyday moments with loved ones. The lyrics are relatable and tender, fostering a sense of warmth and comfort.

Performance History

Following its release, the song not only topped the country charts but also crossed over to achieve a respectable position of 21 on the Billboard Hot 100—a rare feat for country songs at the time. It became Charley Pride’s most recognized song and a staple in his live performances. Over the years, numerous artists have covered the song, reflecting its enduring appeal and significant impact on both artists and audiences alike.

Cultural Impact

“Kiss an Angel Good Mornin'” transcended the boundaries of country music to become a part of American musical culture. Its inclusion in television shows, movies, and even commercials underscores its widespread recognition and the universal appeal of its message about love and happiness. The song also contributed to breaking down racial barriers in the country music industry by highlighting Charley Pride’s success.

Legacy

Today, the song remains beloved and is considered a classic in the country music canon. It not only marked a high point in Charley Pride’s career but also paved the way for future artists in the genre. The song continues to remind listeners of the importance of cherishing simple joys and the profound impact of love in everyday life.

Conclusion

Every time I listen to “Kiss an Angel Good Mornin’,” I feel uplifted and joyful. If you haven’t experienced this song yet, I encourage you to listen to Charley Pride’s original recording to fully appreciate the emotion and sincerity it conveys. It’s a true gem in the treasure trove of country music that any music enthusiast should explore

Video

Lyrics

When ever I chance to meet, old friends on the street
They wonder how does a man get to be this way
Always got a smiling face, anytime and any place
And every time they ask me why I just smile and say
‘Cause you’ve got to kiss an angel good morning
And let her know you think about her when you’re gone
Kiss an angel good morning
And love her like the devil when you get back home
Though people may try to guess, the secret of our happiness
But some of them never learn it’s a simple thing
The secret I’ma speaking of, is a woman and a man in love
And the answer is in this song that I always sing
‘Cause you’ve got to kiss an angel good morning
And let her know you think about her when you’re gone
Kiss an angel good morning
And love her like the devil when you get back home
Kiss an angel good morning
And let her know you think about her when you’re gone
Kiss an angel good morning
And love her like the devil when you get back home

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JEAN SHEPARD CUT “LONESOME 7-7203” BEFORE HER HUSBAND DID. CAPITOL LEFT IT SITTING. THEN HAWKSHAW HAWKINS RECORDED IT — AND DIED THREE DAYS AFTER ITS RELEASE. The song did not start as Hawkshaw Hawkins’ last hit. It passed through Jean Shepard first. By the early 1960s, Jean was already one of country music’s toughest women. She had come up through honky-tonk, made “A Dear John Letter” a No. 1 duet, joined the Grand Ole Opry, and proved she was not just a pretty harmony voice in a man’s business. Hawkshaw Hawkins was already part of that same Opry world. Tall, smooth, steady, with a career that had stretched from West Virginia radio to national country stages. He and Jean married in 1960. Two singers. Two roads. One house outside Nashville. Then came a Justin Tubb song called “Lonesome 7-7203.” Jean recorded it for Capitol, but the label left it unreleased. The song sat there. A lonely telephone number. A heartbreak line waiting for somebody to dial it. Hawkshaw finally told her that if Capitol was not going to release it, he would record it himself. King Records released his version on March 2, 1963. Three days later, Hawkshaw Hawkins was dead. The plane crash near Camden took him, Patsy Cline, Cowboy Copas, and pilot Randy Hughes. Jean was left with the grief, the children, and the strange sound of her husband’s voice still rising on the radio. Then the song climbed. “Lonesome 7-7203” reached No. 1 after Hawkshaw was gone. Jean had recorded it first. Hawkshaw made it immortal. Country music kept dialing the number after the man who sang it could no longer answer.

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THEY GOT MARRIED ON A CONCERT STAGE IN WICHITA. LESS THAN THREE YEARS LATER, JEAN SHEPARD WAS LEFT WITH TWO SONS AND A HUSBAND COUNTRY MUSIC COULD ONLY HEAR ON RECORDS. They met inside the world that had already claimed both of them — radio shows, road dates, the Grand Ole Opry, dressing rooms, and the kind of touring life where a singer’s home could feel like whatever town had the next stage. Jean was not fragile. She had already fought her way into hard country when women were still expected to sound sweeter than the men around them. “A Dear John Letter” had taken her to No. 1. The Opry had taken her in. She had survived one bad early marriage and kept her career anyway. Hawkshaw was different. Six-foot-five. Smooth. Charismatic. A West Virginia singer people called “Eleven Yards of Personality.” He had the height, the grin, and the kind of stage presence that made a crowd feel like he had walked in from a bigger life. On November 26, 1960, they married onstage during a concert in Wichita, Kansas. It was not just a courthouse promise. Ken Nelson gave Jean away. A local disc jockey broadcast the ceremony over the radio. The crowd was there. The music world was there. Their private vow entered country history through a microphone. For a while, it looked like the show and the marriage could live together. They toured. They built a home in Goodlettsville. They had a son, Don Robin, named after friends Don Gibson and Marty Robbins. Jean became pregnant again. Then the calendar turned cruel. The marriage that had started in front of an audience ended with Jean carrying the part no audience could sing for her — a toddler, an unborn child, and a husband whose voice kept climbing the chart after he was gone.

JEAN SHEPARD CUT “LONESOME 7-7203” BEFORE HER HUSBAND DID. CAPITOL LEFT IT SITTING. THEN HAWKSHAW HAWKINS RECORDED IT — AND DIED THREE DAYS AFTER ITS RELEASE. The song did not start as Hawkshaw Hawkins’ last hit. It passed through Jean Shepard first. By the early 1960s, Jean was already one of country music’s toughest women. She had come up through honky-tonk, made “A Dear John Letter” a No. 1 duet, joined the Grand Ole Opry, and proved she was not just a pretty harmony voice in a man’s business. Hawkshaw Hawkins was already part of that same Opry world. Tall, smooth, steady, with a career that had stretched from West Virginia radio to national country stages. He and Jean married in 1960. Two singers. Two roads. One house outside Nashville. Then came a Justin Tubb song called “Lonesome 7-7203.” Jean recorded it for Capitol, but the label left it unreleased. The song sat there. A lonely telephone number. A heartbreak line waiting for somebody to dial it. Hawkshaw finally told her that if Capitol was not going to release it, he would record it himself. King Records released his version on March 2, 1963. Three days later, Hawkshaw Hawkins was dead. The plane crash near Camden took him, Patsy Cline, Cowboy Copas, and pilot Randy Hughes. Jean was left with the grief, the children, and the strange sound of her husband’s voice still rising on the radio. Then the song climbed. “Lonesome 7-7203” reached No. 1 after Hawkshaw was gone. Jean had recorded it first. Hawkshaw made it immortal. Country music kept dialing the number after the man who sang it could no longer answer.

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