“Scroll down to the end of the article to listen to music.”

Introduction

Imagine waking up every day with a simple, yet profound message that life’s sweetness lies in the smallest gestures of love. That’s the essence of Charley Pride’s classic, “Kiss an Angel Good Mornin’.” Released in 1971, this song encapsulates the warm, timeless feeling of affection that we can all relate to. Whether you’ve heard it for the first time or it’s a familiar tune, the song’s charm is undeniable—reminding us that love, in its purest form, is often found in life’s simplest moments.

About the Composition

  • Title: Kiss an Angel Good Mornin’
  • Composer: Ben Peters
  • Premiere Date: 1971
  • Album: Charley Pride Sings Heart Songs
  • Genre: Country

Background

Charley Pride, already an established name in the country music scene by the time this song was released, propelled his career to new heights with “Kiss an Angel Good Mornin’.” Written by Ben Peters, this tune captured the easy-going charm of country music in the early 1970s. Released as a single in 1971, it was a massive hit, reaching No. 1 on the country charts and even crossing over to the pop charts. The song’s message of love and devotion resonated with audiences, offering a blend of romance and simplicity.

The song also stands out as a crucial point in Charley Pride’s career, marking one of his signature hits and cementing his legacy as a trailblazer in country music, especially as one of the few African-American artists who rose to prominence in a genre not widely represented by people of color at the time.

Musical Style

“Kiss an Angel Good Mornin'” exemplifies the classic country sound of the 1970s. Its simple, catchy melody, backed by a steady rhythm and twangy guitar, perfectly complements Charley Pride’s smooth, laid-back vocal delivery. The song follows a traditional verse-chorus structure, which makes it easy for listeners to sing along. The arrangement is straightforward but rich, featuring piano, pedal steel guitar, and subtle backing vocals that enhance its warm, homey feel. There’s a sense of nostalgia in the music that resonates with listeners, making it both heartwarming and unforgettable.

Lyrics

The lyrics offer a sweet, endearing message about love and happiness. The recurring line, “Kiss an angel good mornin’, and love her like the devil when you get back home,” adds a playful, yet affectionate tone. It’s a reminder that expressing love daily is key to a happy life. The simplicity of the lyrics is part of their charm—they don’t overcomplicate the message but rather distill the essence of love into something tangible and relatable.

Performance History

“Kiss an Angel Good Mornin'” has been performed countless times since its release, both by Charley Pride and other country artists. It’s a staple in Pride’s concert repertoire and has been covered by various musicians, further cementing its status as a country classic. The song earned Pride a Grammy Award nomination, and its enduring popularity means it is often featured in country music retrospectives and radio playlists to this day.

Cultural Impact

Beyond its success on the charts, “Kiss an Angel Good Mornin’” became a cultural touchstone in country music. Its crossover appeal allowed it to reach audiences outside of traditional country fans, helping to bridge the gap between country and pop music in the early ’70s. The song also played a key role in Pride’s influence on breaking racial barriers within the country music industry, inspiring future generations of diverse artists to pursue careers in the genre.

Legacy

Today, “Kiss an Angel Good Mornin'” remains one of Charley Pride’s most beloved songs. Its feel-good message and timeless sound ensure that it continues to resonate with audiences, old and new. The song has been celebrated as part of Pride’s lasting contribution to country music, and its simplicity and heartfelt message continue to inspire those who listen to it. Pride’s recording of the song is considered a classic and a representation of the golden era of country music.

Conclusion

“Kiss an Angel Good Mornin'” is a reminder of how love’s smallest gestures can have the biggest impact. Charley Pride’s gentle delivery and Ben Peters’ simple, heartfelt lyrics combine to create a song that feels like an embrace. If you’ve never heard this song, it’s time to give it a listen, and if you know it well, there’s no harm in revisiting its sweetness. For those seeking a perfect recording, the original by Charley Pride is still the best place to start—it’s a warm reminder that sometimes, the best things in life are simple.

Video

Lyrics

… When ever I chance to meet, old friends on the street
They wonder how does a man get to be this way
Always got a smiling face, anytime and any place
And every time they ask me why I just smile and say
… ‘Cause you’ve got to kiss an angel good morning
And let her know you think about her when you’re gone
Kiss an angel good morning
And love her like the devil when you get back home
… Though people may try to guess, the secret of our happiness
But some of them never learn it’s a simple thing
The secret I’ma speaking of, is a woman and a man in love
And the answer is in this song that I always sing
… ‘Cause you’ve got to kiss an angel good morning
And let her know you think about her when you’re gone
Kiss an angel good morning
And love her like the devil when you get back home
… Kiss an angel good morning
And let her know you think about her when you’re gone
Kiss an angel good morning
And love her like the devil when you get back home

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THEY GOT MARRIED ON A CONCERT STAGE IN WICHITA. LESS THAN THREE YEARS LATER, JEAN SHEPARD WAS LEFT WITH TWO SONS AND A HUSBAND COUNTRY MUSIC COULD ONLY HEAR ON RECORDS. They met inside the world that had already claimed both of them — radio shows, road dates, the Grand Ole Opry, dressing rooms, and the kind of touring life where a singer’s home could feel like whatever town had the next stage. Jean was not fragile. She had already fought her way into hard country when women were still expected to sound sweeter than the men around them. “A Dear John Letter” had taken her to No. 1. The Opry had taken her in. She had survived one bad early marriage and kept her career anyway. Hawkshaw was different. Six-foot-five. Smooth. Charismatic. A West Virginia singer people called “Eleven Yards of Personality.” He had the height, the grin, and the kind of stage presence that made a crowd feel like he had walked in from a bigger life. On November 26, 1960, they married onstage during a concert in Wichita, Kansas. It was not just a courthouse promise. Ken Nelson gave Jean away. A local disc jockey broadcast the ceremony over the radio. The crowd was there. The music world was there. Their private vow entered country history through a microphone. For a while, it looked like the show and the marriage could live together. They toured. They built a home in Goodlettsville. They had a son, Don Robin, named after friends Don Gibson and Marty Robbins. Jean became pregnant again. Then the calendar turned cruel. The marriage that had started in front of an audience ended with Jean carrying the part no audience could sing for her — a toddler, an unborn child, and a husband whose voice kept climbing the chart after he was gone.

JEAN SHEPARD CUT “LONESOME 7-7203” BEFORE HER HUSBAND DID. CAPITOL LEFT IT SITTING. THEN HAWKSHAW HAWKINS RECORDED IT — AND DIED THREE DAYS AFTER ITS RELEASE. The song did not start as Hawkshaw Hawkins’ last hit. It passed through Jean Shepard first. By the early 1960s, Jean was already one of country music’s toughest women. She had come up through honky-tonk, made “A Dear John Letter” a No. 1 duet, joined the Grand Ole Opry, and proved she was not just a pretty harmony voice in a man’s business. Hawkshaw Hawkins was already part of that same Opry world. Tall, smooth, steady, with a career that had stretched from West Virginia radio to national country stages. He and Jean married in 1960. Two singers. Two roads. One house outside Nashville. Then came a Justin Tubb song called “Lonesome 7-7203.” Jean recorded it for Capitol, but the label left it unreleased. The song sat there. A lonely telephone number. A heartbreak line waiting for somebody to dial it. Hawkshaw finally told her that if Capitol was not going to release it, he would record it himself. King Records released his version on March 2, 1963. Three days later, Hawkshaw Hawkins was dead. The plane crash near Camden took him, Patsy Cline, Cowboy Copas, and pilot Randy Hughes. Jean was left with the grief, the children, and the strange sound of her husband’s voice still rising on the radio. Then the song climbed. “Lonesome 7-7203” reached No. 1 after Hawkshaw was gone. Jean had recorded it first. Hawkshaw made it immortal. Country music kept dialing the number after the man who sang it could no longer answer.

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